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Sound Foraging

Composing with The Natural World.

Sound Foraging is a workshop about discovering music in unexpected places. We’ll head outside to collect noises from the world around us, and bring them back to USAL's studio as raw material. From there, we’ll turn those sounds into a shared library, experiment with simple ways to shape them into musical gestures, and try out our own ideas over tea and snacks.
The session ends with us composing a piece together out of everyone’s recordings and experiments. You’ll walk away having helped create something bigger than any one person could make, plus you’ll get to keep the full set of sounds we gathered for your own projects later.
Ticket Type
Where
Registration
Closed
When
10/18
Time
12:00 PM - 4:00 PM
Intensity
A decorative image from Usal Project
A decorative image from Usal Project

About

Kirk Pearson is a composer and creative engineer living in the Bay Area. They spend a lot of time writing music for unconventional musical instruments, and, every once in a while, inventing new ones. Kirk’s sounds have appeared on prime-time television and in internationally touring installations, stage shows, animated cartoons, and hundreds of films, radio productions, and museum exhibits around the globe (in case those kinds of things are interesting to you).
They are the founder and creative director of Dogbotic Labs, a Bay Area laboratory for inquiry-based art. Dogbotic Labs offers virtual workshops in a variety of oft-maligned creative topics, including e-textiles, DIY guitar pedals, film souping, datamoshing, animation, and creative coding. Through these workshops, Kirk has taught thousands of people from over fifty countries how to build a synthesizer.
Kirk’s sounds have been featured in movies at the Sundance Film Festival, on animated shorts for Adult Swim, in PSAs for the UNHCR, and in installations at SXSW and the American Museum of Natural History. Several of their invented instruments can be heard in Rihanna’s Savage X Fenty Show Vol. 4, on stage with dream pop band Vansire, heard weekly on WFMU’s Techtonic, and on permanent exhibit at the Oberlin Conservatory. They are the author of Electronic Music From Scratch: a Beginner’s Guide to Homemade Audio Gizmos published by Make.
A decorative image from Usal Project
A decorative image from Usal Project

What To Bring

  • A recording device – your phone works perfectly, or feel free to bring any dedicated field recorder.
  • A laptop with a Digital Audio Workstation (DAW) installed. Free options include Audacity, Reaper, GarageBand, or BandLab. Other common programs include Logic Pro, Pro Tools, and Ableton Live.
  • Bring an open mind and a pair of good ears — we’ll handle the rest.
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